ENGLISH 3311 Spring 2003
Survey
of Poetry
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University
of Houston Downtown
Dr. Merrilee Cunningham, PhD.
Cunninghamm@uhd.edu.
Credit
Hours: 3(without capstone option)
Home page: http://www.uhd.edu/~cunningm
Office:1038S
Office Hours: Almost all the time, but certainly
an hour before and after class.
Office Phone: 713-221-8107
Office Fax : 713-226-5205
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| Textbook: |
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Ferguson, Margaret, et al. The Norton Anthology of Poetry,
Fourth Edition, 1996: New York, New York. |
| Philosophy
of the Course: |
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In this class we will approach poetry with several questions
in mind. What is the relationship of poetry to the historical
periods in which it was written and the forms being used.
How is the poem a cultural artifact and how is it an aesthetic
representation? What is the relationship of the work to the
life of the poet and the times of that poet. What are the
class, cultural, gender, racial interests in the poem. What
is the interaction between the social order to the time of
the poem and the political and economic situations commented
on or represented by the poem. How are these period pieces?
How are they cultural artifacts. How do they function as aesthetic
productions separate from their political, social, and economic
necessities. What are some of the better methodologies for
looking at the poem and deconstructing it? |
| Educational
Objectives: |
By the end of the course, the student should:
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develop further critical reading and analytic skills by
reading epic as well as lyric poetry
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be able to trace the development of modes, styles, and
verse forms chronologically.
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Increase our understanding and familiarity with some of
the greatest poetry ever written.
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Comprehend the complexities of psychological, historical,
neo-historical, feminist, new, social criticism as they
relate to the poem.
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Learn to read and analyze individual literary poetic texts
within a cultural and historical context.
- Improve
writing and analytic skills, particularly the skill of
writing literary analyses in essay form, using the conventions
of the university academic community
- demonstrate
how to write cogent, extended library interpretations
incorporating critical sources acquired through library
research and documented correctly and adequately using
the MLA style of documentation
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| Reasonable
Accommodation: |
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UH-Downtown adheres to all applicable federal, state and local
laws, regulations and guidelines with respect to providing
reasonable accommodation for students with disabilities. Students
with disabilities should register with Disabled Student Services
and contact their instructor(s) in a timely manner to arrange
for appropriate accommodations. |
| Attendance
and Participation: |
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Our
studies require:
That you come to class. Your absence and tardiness will
adversely effect the people with whom you are working (and
your own grade.) Group activity will be a regular part of
your class work. I take a very dim view of students who
do not participate to their best ability in this class and
absent or silent people are not fully participating. If
you must choose between being late and not coming at all,
of course, come to my class late and I will make every attempt
to prevent your being embarrassed as you enter an unlocked
door.
Do not, however, mistake my social grace and unwillingness
to publicly embarrass you for approval.
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| Grading
Criteria: |
- Appropriateness
of response to the topic.(If the essay doesn't address
the topic, the grade is ).
- Appropriateness
and strength of specific proofs and fact related to the
theories and claims asserted.
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Originality of essay.
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Grammatical Correctness.
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Clarity and rhetorical level of writing style.
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Detailed textual evidence used in essay.
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Conceptional sophistication of essay.
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Adherence to the conventions of academic writing, including
thesis, organization, proofs, structure.
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Use of correct documentation for secondary sources.
^Back
to Top
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| Grades
and Grading System: |
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Grades:
| 900
- 1000 |
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A + Excellent college-level work |
| 800
- 899 |
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B + Good college-level work |
| 700
- 799 |
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Adequate college level work |
| 650
- 699 |
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Poor college-level work |
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0
- 649 |
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Failing college-level work |
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0 |
= No work submitted |
Participation,
including any quizzes 200 points
During
several classes, I will give a quiz over the day's reading
assignment. To be eligible to take a quiz, you must be present
at the time of the quiz, which is usually, but not always,
the beginning of class. Students who arrive after or leave
before I administer a quiz will not be allowed to take the
quiz. There will be no opportunities to make up missed quizzes.
Quizzes are the instructor's deliberate attempt to reward
those who read the assignment before class and then attend
the entire class. They are a wonderful way for a struggling
student of poetry to help his or her cause.
Midterm
- 200 points
The
midterm examination will consist of short answer and short
essay questions. Before the exam I will hand you a review
sheet and study questions. Essay responses should be organized
clearly with a thesis, support the answer with a variety
of relevant specific references to the readings, and demonstrate
your skills in critical reading and thinking.
Final
- 200 points
The
final will be in the same format as the midterm examination,
but will include the material since the midterm in the identification
section and refer to all material covered in the essays.
A study guide will be provided.
Annotated
Bibliography for paper - 50 points
This
is due one week before the research paper and will illustrate
an understanding of the state of research on your subject.
Short
Painter-Poet Paper - 50 points - an Essay on Blake,
Lennon, Rossetti, Cat Stevens, or any poet who also paints.
See handout for further explanation and opportunities.
Long
Paper - 200 points
An
extended study, due at the end of the semester, the ticket
to entrance into the final examination, but due the week
before the final exam, this is a serious piece of scholarship
for the course.
Plagiarism:
"Mine
honor is my life; both grow in one;
Take honor from me, and my life is done."
King
Richard II, William Shakespeare
You
will fail the course if you plagiarize. Plagiarism is the
unacknowledged use of ideas (Whether paraphrased, summarized
or quoted) by a writer who seeks to pass off those ideas
as his or her original thought. If you fail to document
or attribute a source of the idea, even if you restate another
writer's ideals, you have plagiarized. A serious university
offense, plagiarism may be punished by failure or expulsion.
Students who plagiarize on the research paper will receive
an F on the paper.
To
avoid plagiarism, you must document your papers using MLA
citation format. We will not cover this format in class,
since this format is covered in English 1302, a prerequisite
for taking this class, but if you do not know how to document
your paper, I would be happy to teach you by taking you
personally through the system. The same is true of CD-ROM
databases in the library or in the computer center.
Late
Assignments:
All
assignments in this class must be submitted on time, even
if you are absent. Late assignments are taken at the discretion
of the instructor and carry a minimum penalty of 10% of
the grade to be deducted for each and every late assignment.
Individual
Needs:
I will
make every attempt to maximize accessibility. I will be
available before and after class and during office hours,
which will be posted on my office door. If you have problems
understanding the assignments please seek to talk to me
about those assignments. Talk to me often. Get involved
in the course and the course material.
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| SCHEDULE
OF EVENTS AND ASSIGNMENTS: |
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WEEK
I
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| Tuesday,
January 14th. - |
Welcome
and Introduction to the course. Pass out hand-out on poetic
terminology. From Beowulf P. 2 |
Thursday, January 16th. - |
Riddles, P. 7; anonymous lyrics of the thirteenth and fourteenth
centuries; Chaucer's "Complaint to his Purse" P.
54. Hand-out on Yorruba riddles. The riddle in verse. |
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WEEK
II
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| Tuesday,
January 21st. - |
Tuesday,
January 21st. -The Medieval Carol: A Carol of Agincourt, P.
69; John Skelton,"Mannerly Margery Milk and Ale,"
P. 74; "To Mistress Margaret Hussey," P. 75. From
"Colin Clout," P. 76; "Philip Sparrow."
P. 78. ; Early Modern Ballads": "Lord Randall"
'"Sir Patrick Spens';" Bonny Barbara Allan'; ' Mary
Hamilton,' versions A and B. P. 94. We will look at both oral
and literary traditions, end rhyme and alliteration. |
Thursday, January 22nd. - |
Tudor Poetry: Tom o' Bedlam's Song," P. 111; Thomas Wyatt:
Pp. 113 - 120 particularly, 'Whoso List to Hunt" , "My
Galley" " Madam, Withouten Many Words' ; ' They
Flee from me'; '' Mine Own John Poins" and then Henry
Howard, Earl of Surrey, only :" The Soote Season;"
"Wyatt Resteth Here' and " So Cruel Prison,"
P. 125. |
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WEEK
III
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| Tuesday,
January 28th. - |
Political
Verse Satire and the Courtier's Poem: Sir Walter Raleigh:
"The Lie,' P. 142; "If Cynthia Be Queen" P.
145. Spenser: The Faerie Queene, Book I; P. 153; "Epithalamion',
P. 171. Sir Philip Sidney "Astrophil an Stella, P. 192."Loving
in truth, and fain in verse my love to show," P. 192;
Mary Sidney "To the Thrice-Sacred Queen Elizabeth,"
P. 201. |
Thursday, January 30th. - |
The Roman Catholic Baroque Lyric: Robert Southwell, "The
Burning Babe," P. 206; Samuel Daniel "Ulysses and
the Siren," P. 211; Drayton, "since there's no help,
come let us kiss and part," P. 215; Christopher Marlowe's
"The Passionate Shepherd to his Love," P. 233 the
call and response in poetic verse and satire. See also Ralegh
and Donne's reply to Marlowe. |
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WEEK
IV
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| Tuesday,
February 4th. - |
The
Sonnet as a Literary Form: Shakespeare's Sonnets, particularly
" 116, 29, 73, 130; "Full Fathom Five," "Come
Away, Come Away, Death." Aemilia Lanyer, 'salve Deus
Rex Judaeorum" and ' The Description of Cooke-ham"
P. 258; The Metaphysical Poets: John Donne "Go and catch
a falling star" "The Canonization" A Valediction
Forbiding Weeping": A Notctural upon St. Lucy's Day,"
"The Flea: "The Relic," "Good Friday,
Riding Westward," "Holy Sonnet 10. P. 288. |
Thursday, February 6th. - |
Jonson's "On my First Daughter," "On Spies,"
"To Fine Lady Would-Be" ""To the Memory
of My Beloved, the Author, Mr. William Shakespeare,"
P. 309. "A Sonnet to the Noble Lady, the Lady Mary Wroth,"
P. 311; Mary Wroth, P. 316; Herrick, "The Argument of
His Book" P. 317; "Corinna's Going A-Maying."
"Upon Julia's Clothes." P. 323. Herbert, "The
Altar, P. 329; "Easter Wings," P. 330. "Jordan
I; " " The Collar;" " The Pulley,"
P. 341. |
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WEEK
V
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| Tuesday,
February 11th. - |
John
Milton, "Lycidas" P. 354; "L'Allegro"
and "Il Penseroso" P. 369, P. 369; "When I
Consider How my Light is Spent," P. 378; Anne Bradstreet,
"Before the Birth of her of Her Children" P. 418;
Richard Crashaw, "A Hymn to the Name and Honor of the
Admirable Saint Teresa" P. 423; Lovelace "To Althea,
From Prison," P. 429; Andrew Mavell, "To His Coy
Mistress," P. 435; Vaughan's "Regeneration."
P. 448. We will look at the transition between the late Renaissance
poetry and Neo-Classicism in the Augustine Age. |
Thursday, February 13th. - |
Edward Taylor, P. 495; "Upon a Spider Catching a Fly,"
Aphra Behn, P. 497 "Love Armed:" A Thousand Martyrs,
P. 504; Jonathan Swift, "Stella's Birthday," P.
528; John Gay "Green Sleeves," P. 539; Alexander
Pope's "The Rape of the Lock." P. 547. |
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WEEK
VI
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| Tuesday,
February 18th. - |
The
Verse Epistle as Neo-Classical Form; Hymns in the Enlightenment;
Gray and the Tradition of the Ode: Lady Mary Wortley Montagu,
"Epistle from Mrs. Yonge to Her Husband," P. 580;
Charles Wesley, Humns, P. 588; Samuel Johnson, The Vanity
of Human Wishes, " P. 597; Sir Thomas Gray, "Ode
on a Distant Prospect of Eton College," P. 606; "Ode
on the Death of a Favorite Cat," P. 608; "Elegry
Written in a Country Churchyard," P. 609. |
Thursday, February 20th. - |
The Roots of the English Romantic Period: Oliver Goldsmith's
"The Deserted Village, P. 627; Cowper's "The Castaway,"
P. 643; Phillis Wheatley, "To S.M., a Young African Painter,
on Seeing His Works," P. 661; William Blake, "The
Lamb" and "The Tiger." "From Milton
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"And Did Those Feet"; Burn's "A Red, Red Rose,"
P. 694. |
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WEEK
VII
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| Tuesday,
February 25th. - |
The
Coleridge - Wordsworth Collaborative: William Wordsworth's
"Tintern Abbey," P. 699; "London," P.
726; "Composed Upon Westminster Bridge, September 3,
1802," P. 727; Samuel Taylor Coleridge's Kubla Khan,"
P. 741; "The Rhyme of the Ancient Mariner," P. 744.
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Thursday, February 27th. - |
Midterm Examination |
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WEEK
VIII
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| Tuesday,
March 4th. - |
Spring
Break |
Thursday, March 6th. - |
Spring Break |
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WEEK
IX
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| Tuesday,
March 11th. - |
Platonic
Romanticism, Ruins, and Travelogue Poetry: Shelley's "Ozamandias,"
P. 799; "Stanzas Written in Dejection, Near Naples,"
P. 799; John Keats' "On First Looking into Chapman's
Homer," P. 831; "When I Have Fears," P. 8322;
"Ode on a Grecian Urn," P. 848; "Bright Star,"
P. 850; Emerson's: The Rhodora," P. 851; Elizabeth Barrett
Browning's "How Do I Love Thee? Let Me Count the Ways,"
P. 856; "Aurora Leigh," P. 857. |
Thursday, March 13th. - |
Death and Poetry: Edgar Allan Poe's "The Raven,"
P. 881; "Annabel Lee," P. 884; Tennyson's "Ulysses,"
P. 896; Robert Browning's "My Last Duchess," P.
911; "The Bishop Orders His Tomb at Saint Praxed's Church,"
P. 915; Edward Lear's "The Owl and the Pussy-Cat,"
P. 942; Emily Bronte's "No Coward Soul is Mine,"
P. 947; Julia Ward Howe, "Battle-Hymn of the Republic,"
P. 952. |
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WEEK
X
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| Tuesday,
March 18th. - |
Spiritual
"Go Down Moses," P. 957; "Steal Away to Jesus,"
P. 958; Walt Whitman's Song of Myself, P. 961; "When
Lilacs Last in the Dooryard Bloomed," P. 978; Matthew
Arnold's "Dover Beach." Rossetti's "Barren
Spring." P. 1006; Emily Dickinson's "Because I Could
Not Stop for Death," P. 1020; "I Heard a Fly Buzz,"
P. 1015. |
Thursday, March 20th. - |
Christina Rossetti's "In an Artist's Studio," Lewis
Caroll's "Jabberwocky" and "The White Knight's
Song." Sidney Lanier's "The Marshes of Glynn"
P. 1059; Gerard Manley Hopkin's "The Windhover."
A. E. Housman's "To An Athlete Dying Young." P.
1070; William Butler Yeats' "Easter, 1916": "Leda
and the Swan," P. 1095; "Among School Children,"
P. 1096; "The Circus Animals' Desertion," P. 1101.
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WEEK
XI
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| Tuesday,
March 27th. - |
Annotated
Bibliography Due. Pound and Eliot Day: "This is the
only copy, what should I do with it." " Ezra Pound
"The Seafarer," P. 1187; T. S. Eliot's The Love
Song of J. Alfred Prufrock," "The Wasteland."
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Thursday, March 28th. - |
Sexism and the South and War Poetry, an Introduction to The
Emergence of the Modern African American Voice: "John
Crowe Ransom: "Bells for John Whiteside's Daughter,"
P. 1255; Wilred Owen "Duce Et Decorum Est," P. 1276;
"Athem for Doomed Youth," P. 1276; Jean Toomer,
From Cane, P. Georgia Dusk, P. 1289; "Portrait in Georgia,"
P. 1290.C. Day Lewis, "Where are the War Poets?"
P. 1343. Richard Eberhart, "The Fury of Aerial Bombardment,"
P. 1347. |
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WEEK
XII
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| Tuesday,
April 1st. - |
April
Fool.'s Day, but serious verse: The African-American Voice
in Poetry continued: - Sterling A. Brown, "Slim in Atlanta";
"Chillen Get Shoes," P. 1319; "Bitter Fruit
of the Tree" compare with "Strange Fruit."
"Conjured," P. 1320. Langston Hughes, "The
Weary Blues," "The Negro Speaks of Rivers,"
P. 1321; "Song for a Dark Girl," P. 1323; "Bad
Luck Card," P. 1322; "Harlem and Harlem Sweeties."
Roy Campbell, "The Zulu Girl," P. 1324. Countee
Cullen, "Heritage," P. 1335.
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Thursday, April 3rd. - |
Stevie Smith, "The Celts," P. 1332. W. H. Auden,
"Musee de Beaux Arts, P. 1367; "The Shield of Achilles,"
P. 1372; "Lullaby," P. 1364; "In Praise of
Limestone." P. 1370. Stephen Spender, "I Think Continually
of Those Who Were Truly Great," P. 1399; Elizabeth Bishop,
"Filling Station," P. 1411; May Swenson, "Motherhood,"
P. 1433. |
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WEEK
XIII
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| Tuesday,
April 8th. - |
Alcoholism,
Alcoholics and Poetry,: Malcolm Lowry, "Delirium in Vera
Cruz," P. 1398; Dylan Thomas "Do Not Go Gentle into
That Good Night," P. 1465; "The Force That Through
the Green Fuse Drives the Flower," P. 1460; Philip Larkin's
"An Arundel Tomb" P. 1543; James Dickey's "Buckdancer's
Choice," P. 1556; "The Lifeguard," P. 1553. |
Thursday, April 10th. - |
Richard Wilbur, "Piazza di Spagna, Early Morning,"
P. 1528. Donald Justice, "Men at Forty." P. 1582;
Kenneth Koch, "You Were Wearing," P. 1584; Robert
Bly's "Waking from Sleep," P. 1595; Allen Ginsberg,
Howl, Part I, P. 1598; James Merrill's "The Broken Home,"
P. 1605; Frank O'Hara's"Why I Am Not a Painter,"
P. 1619;. |
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WEEK
XIV
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| Tuesday,
April 15th. - |
W.
S. Merwin "Odysseus," P. 1634; " "Losing
a Language," P. 1635; Charles Tomlinson, "Farewell
to Van Gogh" P. 1636; "The Picture of J. T. in a
Prospect of Stone," P. 1636; James Wright, "A Note
Left in Jimmy Leonard's Shack," P. 1639 |
Thursday, April 17th. - |
Feminism and Modern Poetry: Adrienne Rich, "Aunt Jennifer's
Tigers, P. 1679; "Diving into the Wreck,"P. 1685;
"Living in Sin," P. 1679. Ted Hughes, "The
Thought-Fox," P. 1697; "Examination at the Womb-Door"
P. 1700; Sylvia Path, "Daddy," "Lady Lazarus"
P. 1735. |
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WEEK
XV
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| Tuesday,
April 22nd. - |
Paul
Muldoon, "Meeting the British, " P . 1854; Louise
Erdrich, "The Butcher's Wife," P. 1873; Cynthia
Zarin, "The Ant Hill" P. 1880. |
Thursday, April 24th. - |
Anne Sexton, "And One for My Dame" P. 1652; Thom
Gunn, "A Map of the City," P. 1660; John Hollander,
"Variations on a Fragment by Trumbull Sitckney, ".
1665. |
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WEEK
XVI
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| Tuesday,
April 29th. - |
Louise
Gluck, "Gretel in Darkness." P. 1813; Wendy Cope,
"Bloody Men." P. 1825; "In Paris with You."
P. 1842 |
Thursday, May 1st. - |
Discussion of the painter-poet. |
| Final
Examination: See schedule handed out on the first day.
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