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ENGLISH
2301 Fall 2008
Syllabus: World Literature Ancient to 17th |
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University
of Houston Downtown
Dr. Merrilee Cunningham, PhD.
cunninghamm@uhd.edu.
Tuesday-Thursday
4:00 - 5:15
Prerequisite: Successful completion of English 1302
Class Meeting Time and Place: Tuesday – Thursday 1:00 – 2:15; B310
CRN: 10155
Course Description: “A study of literature of the world from its beginnings through the 17th. Century.”
713- 221-8107; if no answer, 713-221-8033 for messages
1039S; cunninghamm@uhd.edu
Office Hours: Thursday: 2:00-5:00 pm. And before or after class; Monday, Tuesday, Wednesday, 12:30 - 2:30 and just knock on the door.(no appointment necessary); If you cannot find me, go to room 1045-S and they will be able to find me
Home page: http://www.uhd.edu/~cunninghamm/index.htm |
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| Textbook: |
Texts: Lawall, Sarah et al., Norton Anthology of World Literature Expanded Edition in one volume – ISBN 0-393-92572-2
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| Educational
Objectives: |
By the end of the course, the student should be able to:
- Develop
further critical reading and analytic skills by reading
dramatic and non-dramatic poetry from Bronze age Greece
to the English Renaissance.
- Trace
the development of important modes such as tragedy, comedy,
epic, styles, and innovations.
- Increase
our understanding and familiarity with some of the greatest
works ever written.
- Learn
to read and analyze individual literary texts within a
cultural, historical, and political context.
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Improve writing and analytical skills, particularly the
skill of writing literary analyses in essay form, using
the conventions of the university academic community.
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Demonstrate how to write cogent, extended library interpretations
incorporating critical sources
Acquired through library research and documented correctly
and adequately using the MLA style of documentation.
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| Course
Guidelines: |
Reasonable Accommodation: UH-Downtown adheres to all applicable federal, state and local laws, regulations and guidelines with respect to providing reasonable accommodations for student with disabilities. Students with disabilities should register with Disabled Student Services and contact their instructor in a timely manner to arrange for appropriate accommodation. Disabled Student Services is in –S409; Duraese Hall is the co-coordinator and her office extension is 713-221-8430 as well as 713-226-5227.
Acceptance of Late Work: All assignments in this class must be submitted on time, even if you are absent. Late assignments are taken at the discretion of the instructor and carry a minimum penalty of 10% of the grade to be deducted for each and every late assignment. The instructor considers the student who turns in late work to be extremely fortunate that, even with this penalty, that work is accepted.
Individual needs: I will make every effort to maximize my accessibility to you relating to assignments. I will be available before and after class and during office hours, which will be posted on my office door. If you have problems understanding the assignments please seek to talk to me about those assignments. Talk to me often. Get involved in the course and the course material.
University Policies and Procedures: All students are subject of university-wide policies set forth in the catalog and the student handbook, including academic honesty, Policy 03.A.19.
Tardiness and Attendance: Attendance is necessary to successfully complete this course. If you do not attend regularly, you will fail. However, there may be mitigating circumstances surrounding tardiness. Please come and tell me, after class, why you were tardy.
Philosophy of the Course: In this class we will approach world literature with several questions in mind.
What is the relationship of classical epic and drama to the cultural and economic environments in which they were produced? What is the work as an aesthetic artifact? What is the relationship of the work to the writer and his or her life? How do these great pieces of literature become acknowledged as great?
Attendance and Participation: Both epic and drama are social, collaborative efforts. The study of this genre requires the same of the student. Your absence and tardiness will adversely affect the people with whom you are working (and your own grade). Group activity will be a regular part of your class work. I take a very dim view of student who do not participate to their best ability in this class and absent or silent people are not fully participating. If you must choose between being late and not coming at all, of course, come to my class late and I will attempt to prevent your being embarrassed. I will assume that you have had to fight monsters and dragons to get to my class, because I know that you have had to do that.
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| Grading
Criteria: |
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Appropriateness of response to the topic. (If the essay
does not address the topic, the grade is 0).
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Appropriateness and strength of proofs.
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Originality of essay.
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Grammatical Correctness
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Clarity and rhetorical level of writing style
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Detailed textual evidence used in essay.
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Conception sophistication of essay.
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Adherence to the conventions of academic writing, including
thesis, organization, proofs, structure.
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Use of correct documentation for secondary sources.
Grades:
900
- 100 - A = Excellent college-level work
800 - 899 - B = Good college-level work
700 - 799 - C = Adequate college-level work
650 - 699 - D = Poor college-level work
0 - 649 - F = Failing college-level work
No work submitted - 0 = F
Participation,
including any quizzes - 200 points
During several classes, I will give a quiz over the day's
reading assignment. To be eligible to take a quiz, you must
be in class at the time of the quiz, which is usually, but
not always, the beginning of class. Students who arrive
after or leave before I administer a quiz will not be allowed
to take the quiz. There will be no opportunities to make
up missed quizzes. Quizzes are the instructor's deliberate
attempt to reward those who read the assignment before class
and then attend the entire class listening to the pearls
of wisdom that the instructor and one's colleagues have
to offer. Quizzes are a wonderful way for a struggling student
of ancient literature to level the playing field a little,
to help his or her cause, and to use determination and perseverance
in the pursuit of academic victories.
Midterm
200 points
The
midterm examination will consist of short answer and short
essay questions. Before the exam I will hand you a review
sheet and study questions. Easy responses should be organized
clearly with thesis, clear support for the answer in a variety
of relevant specific references to the reading, and demonstrations
of your skills in critical reading and thinking.
Annotated
Bibliography 100 points
The
annotated bibliography is due 14 days before the research
paper and gives an account of your work on that paper in
terms of your sources. I will hand out a template, which
will self-correct form according to the MLA style as well
as an example of an annotated bibliography.
The
Long Paper 200 points
An
extended study, due towards the end of the semester, the
ticket to entrance into the final examination, but due 10
days before the exam, this is a serious piece of scholarship
for the course. You will receive a detailed handout on how
to do the paper and some of the sources where you might
begin can be found on the website area for the course.
Final
Examination 200 points
The
final examination will be in the same format as the midterm
examination, but will include the material since the midterm
in the identification section and refer to all material
covered in the essays. A study guide will be provided, but
it will not cover the identification section. It is the
student's responsibility to develop a plan for the identification
section.
Plagiarism:
"Mine
honor is my life; both grow in one:
Take honor from me, and my life is done."
King Richard II
You
will fail the course if you plagiarize. Plagiarism is the
unacknowledged use of ideas (whether paraphrased, summarized
or quoted) by a writer who seeks to pass off those ideas
as his or her original thought. If you fail to document
or attribute a source of the idea, even if you restate another
writer's
ideas, you have plagiarized. A serious university offense,
plagiarism may be punished by failure or expulsion. Students
who plagiarize on the research paper will receive an F on
the paper.
To
avoid plagiarism, you must document your papers using the
MLA citation format. We will not cover this format in class,
since it was covered in English 1302, but if you do not
know how to document your paper, I would be happy to teach
you by taking you personally through the system. The library
has a handout on MLA citations format and directions on
citations are easily found on the web. If you do not know
how to use CD-ROM databases in the library or in the computer
center I would be happy to help you with those also. I will
provide you with a template that you can download that self-corrects
your bibliography to MLA Bibliographical style.
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| Extra
Credit Opportunities |
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You may, if you wish, earn up to 35 points of extra credit during the term. If done well, the following are worth 10 points each.
The Museum Paper 10 points- I will give you the opportunity of joining your interested colleagues in one or two of two trips. The first trip will be to the Menil Museums and I will ask that you write a two-page paper on the artifacts that you see there as they are related to the material in the course. The second trip, equally enjoyable and informative, no doubt, will be to the Museum of Fine Arts - Houston, where we will look at the Greek Roman, and Egyptian collections. You may do the second trip, but you will only be allowed an extra 5 points.
The Navigator: A Medieval Odyssey or The Name of the Rose: 10 points Copies of both of these movies will be placed on reserve for you so that you might write a two-page analysis of their relationships to Humanism and the Great Age of Exploration.
We
will be touring both the Menil Museum and the Museum of
Fine Arts. I ask you to write a two-page paper on the tour
as it relates to what we have read and the cultures that
we have studied.
Caryl
Churchill's Top Girls; You may, for the fee of a
discounted group ticket, join the Drama Class on their trip
to see the 20th. Century play Top Girls, about all the top
women in history and what happened in their lives as they
tried to live them through hardship, misogenism, and prejudice.
Time and place to be announced. |
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SCHEDULE
OF EVENTS, ASSIGNMENTS AND READINGS |
WEEK
I
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| Tuesday, August 26th |
. 1st. Class- Introduction to the course: Sumerian, Babylonian, and Assyrian overview; "Messing with Macadamia"; The Library of King Assurbanipal and Gilgamesh |
Thursday, August 28th |
2nd. Class- Gilgamesh |
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WEEK
II
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| Tuesday, September 2nd |
1st. Class- The Odyssey(only from books 1,2,4,5,9,10,11,15,17,21,22) |
Thursday, September 4th- |
2nd. Class- The Odyssey(only from books 1,2,4,5,9,10,11,15,17,21,22) |
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WEEK
III
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| Tuesday, September 9th |
1st. Class- Oedipus the King |
Thursday, September 11th |
2nd. Class- Oedipus the King
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Sunday, September 14th |
The Menil Museum trip(see map) 1:00 in the lobby on the round leather couch. |
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WEEK
IV
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| Tuesday, September 16th |
1st. class- Antigone |
Thursday, September 18th |
2nd. Class- Euripedes' Medea |
| Thursday, September 18th |
6:00 p.m. The Museum of Fine Arts trip( You actually don’t have to go on Thursdays or free days because by now you have a membership to the MFA, but your baby sister or brother, or, since it is Valentine’s Day, your significant other might want to come with you, so that is why we are going on Thursday night.) You are not required to go on either of these trips, although you are welcome to both or either. Dr. Cunningham will be in the basement cafeteria eating a salad if you want to get there early, or you can just meet in the new building in front of the entrance on Main St. |
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WEEK
V
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| Tuesday, September 23rd |
1st. class- Aristophanes' Lysistrata |
| Thursday, September 25th |
2nd. class . - Overview of Plato and Aristotle; Catullus |
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WEEK
VI
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| Tuesday, September 30th |
1st. class . Virgil's Aeneid ( Only Books 4,6,12) and Ovid's Metamorphosis and Amores (Only Book 1). |
| Thursday, October 2nd |
2nd. Class . , Marcus Aurelius(as seen in The Gladiator - Is this the man you know from class? Short screening of Gladiator) |
Friday, October 3rd |
3rd. meeting Friday afternoon review session for midterm - at the will of the class |
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WEEK
VII
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| Tuesday, October 7th |
Midterm
Examination |
| Thursday, October 9th |
Beowulf |
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WEEK
VIII
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| Tuesday, October 14th |
1st. meeting. Beowulf / Marie de France |
| Thursday, October 16th |
2nd meeting. Marie de France's Lanval; Introduction to Dante's Divine Comedy - The Inferno. |
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WEEK
IX
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| Tuesday October 21st |
1st. meeting - Continue with Dante's Inferno |
| Thursday, October 23rd |
2nd meeting - Read The Canterbury Tales The Wife of Bath’s Tale |
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WEEK
X
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| Tuesday, October 28th |
1st meeting Everyman and the Medieval Theatre |
| Thursday, October 30th |
2nd. Meeting - Petrarch - all |
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WEEK
XI
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| Tuesday, November 4th |
1st. meeting - Boccaccio's Decameron Introduction only |
| Thursday, November 6th |
2nd. Meeting - Michel de Montaigne, : Museum Paper Due Shakespeare's Play and Sonnet. |
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WEEK
XII
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| Tuesday, November 11th |
1st. meeting - Erasmus' In Praise of Folly; – Milton’s Paradise Lost, Book IV |
| Thursday, November 13th |
2nd. Meeting – Don Quixote de la Mancha by Cervantes: Erasmus’s In Praise of Folly |
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WEEK
XIII
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| Tuesday, November 17th |
1st. meeting - and Balthassare Castiglione's The Book of the Courtier
Martin Luther, The Ninety-Five Theses |
| Thursday, November 19th |
2nd. Meeting – Machiavelli’s The Prince Annotated; Bibliography Due |
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WEEK
XIV
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| Tuesday, November 25th |
John Donne |
| Thursday, November 27th |
Thanksgiving |
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WEEK
XVII
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| Tuesday, December 2nd |
Student choices |
Thursday, December 4th |
Student choices |
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December 6th |
Last day of class |
| December 8th. and 9th |
Reading Days |
| December 10 – 19th |
Final Exams |
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| Final
Examination: On the next page you will find your final
examination schedule so that you can organize your entire
final's week from that page. |
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